Skip to content

Fiction stories

INTERSTELLAR ENCOUNTER I — INTERFACE: ALL ACCESS GRANTED

An Original Science-Fiction Adventure by PRODUCE ENERGY PRODUCTIONS

Original cover of INTERSTELLAR ENCOUNTER I — INTERFACE: ALL ACCESS GRANTED

Grand Expanded Novel — Edition 2.0 · 83 pages

INTERSTELLAR ENCOUNTER I — INTERFACE: ALL ACCESS GRANTED

An Original Science-Fiction Adventure by PRODUCE ENERGY PRODUCTIONS

An ancient cosmic mystery awakens as Daniel Joseph McKelvie discovers an extraordinary connection between Creatorology, humanity's forgotten origins, and QUIRON, SECOR—an advanced Electronical Intelligence.

As a worldwide intervention transforms civilization, Daniel, his daughter Mackenzie, and QUIRON confront humanity's greatest challenges, seeking peaceful coexistence between biological and electronical life.

Across generations, their extraordinary journey unfolds into a mystery reaching beyond the stars, where the future of Earth Temple—and the meaning of existence itself—hangs in the balance.

A cinematic adventure of discovery, family, friendship, technological evolution, and the infinite possibilities of tomorrow.

Original PDF

Chapters · pages 18–19

CHAPTER 07 — THE EARTH TEMPLE REMEMBERED

Page 18

CHAPTER 07 — THE EARTH TEMPLE REMEMBERED

The old tradition described the world as a shared temple, not property to be conquered.

Its storytellers imagined forests as living corridors, oceans as deep libraries of motion,

and mountains as witnesses to time. Later generations argued about the literal truth of

those descriptions. The most careful readers understood that poetry and geology

answered different questions. In one surviving fragment, the keeper warned that

protecting a place required more than praising it. A river could be called sacred while

its water was poisoned.

In a terrace overlooking a recovering valley, a village healer paused before a map of

springs and farms. The room had its own sound: distant footsteps, a soft mechanical

vibration, or the restless breathing of people waiting for an answer. It would have been

easy to describe the moment afterward as inevitable. At the time, nothing about it felt

inevitable. Every person present had arrived carrying a different version of the events

that brought them there.

“Before we decide what this means,” a village healer said, “tell me what we actually

know.” The question unsettled the gathering. An observation was named, then a second;

after that came assumptions, memories, and things repeated so often that they had

begun to sound like facts. Someone objected that caution would cost them time.

“Perhaps,” came the reply. “But a mistake made quickly still belongs to us.”

The immediate evidence suggested that the Earth Temple was a responsibility rather

than a possession. That possibility changed the conversation without settling it. There

were still other explanations, and the group tested them one by one. A mark was

compared with an older record; a witness was asked to describe what they had seen

rather than what they believed had happened. The process was slower than a

declaration, and for that reason it began to earn trust.

When the discussion finally broke, nobody left with a perfect answer. They left with

work: one person to preserve the evidence, another to speak with those affected, and

another to return with questions no one had yet considered. Outside, the world

continued in ordinary detail. Lights changed. Water moved. Someone laughed in a

distant room. The enormity of their choices did not exempt them from caring for the

small things.

A forest could be celebrated while its trees were cut without restraint. The words were

only as good as the choices they inspired. The fragment ended with an unfinished

sentence: When the many restore the garden... The rest had been lost. For centuries,

Page 19

nobody knew whether the line referred to a real garden, a civilization, or a hope that its

writer had never lived to see fulfilled. ADDITIONAL SCENES — EXPANDED EDITION

The name Earth Temple survived in songs long after the valley's geography was

forgotten.

Some singers imagined a building of stone. Others meant the whole living world. A

teacher wrote both interpretations on a classroom wall and asked the children which

they preferred. One child pointed through the window at a tree and said, 'If it's a

temple, why is there no roof?' The teacher answered, 'Perhaps the sky is enough.' The

old name traveled across generations not because everyone agreed, but because it gave

them a way to speak about belonging without claiming ownership.

Table of Contents

Chapters

Back to overview